Appearances
In “The Watchers”, Joe Dawson explains the purpose of the Watchers to Duncan MacLeod: “For as long as your kind’s been around, we’ve been watching … We observe, we record, but we never interfere… Too much of man’s history has been lost. When you get through all of life’s crap, the only thing that matters is the truth. We want the truth about Immortals to survive, not a bunch of old wives’ tales… If we had revealed your secret in more superstitious times, you can imagine the witch hunts… And today… You’d probably end up on page three in one of those supermarket rags next to the two-headed monkey and I’d’ve been in a straight jacket.”
The Watchers is a secret society of mortal humans that observes the lives of the Immortals without revealing themselves. While the Watchers seem to have the resources to function independently, there are Watchers like Joe Dawson who run their own businesses to provide a cover as well as income. Each Immortal is assigned a Watcher whose sole job is to monitor and record daily activities. The network of Watchers generally keeps careful tabs on subjects and tracks even the casual movements of the Immortals. Most Immortals are unaware of the Watchers. The organization was created by Ammaletu, the Akkadian, after he saw Gilgamesh coming back to life. In early episodes all Watchers wore a medallion of the symbol of their organization. In later episodes, each Watcher has the symbol tattooed on the inner wrist.
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Games
Spyro the Dragon
Spyro the Dragon was first released in North America on 11 September 1998, for the PlayStation. It was released in Europe on 23 October 1998, In Australia on 15 November 1998 and in Japan on 1 April 1999. It is a platform game that placed the player as Spyro, a small, purple dragon set with the task of freeing his fellow dragons from crystal prisons, which are scattered around their world. Each level is accessed through ‘portals’ from a main world. The game concludes with a fight between Spyro and the primary antagonist, Gnasty Gnorc. The game sold well, most critics giving it favorable reviews. It also received acclaim for its musical score by Stewart Copeland.